A COMPREHENSIVE ANALYSIS OF KINESTHETIC AND OCULISTIC REPRESENTATION IN ENGLISH AND UZBEK LITERARY TEXTS

Authors

  • Surayyo Abdulxafizova Tutor, National University of Uzbekistan named after Mirzo Ulugbek [email protected] Author

Keywords:

Kinesthetic representation, oculistic representation, cultural nuances, bodily movement, cultural landscapes.

Abstract

This article presents a comparative analysis of kinesthetic and oculistic representation in English and Uzbek literary texts, examining how these sensory modalities are utilized to immerse readers into the worlds created by authors. Through examples from renowned works in both languages, the article explores the cultural nuances and narrative significance of bodily movement and visual perception in literature.

References

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Barthes, Roland. “The Pleasure of the Text”. Hill and Wang, 1975. (Refer to Chapter 1: Text and Pleasure)-P.123.

Genette, Gérard. “Narrative Discourse: An Essay in Method”. Cornell University Press, 1983. (Refer to Chapter 1: Introduction).-P.345-348.

Eco, Umberto. “The Role of the Reader: Explorations in the Semiotics of Texts”. Indiana University Press, 1979. (Refer to relevant chapters on Semiotics and Reader Response).-P.276-280.

Culler, Jonathan. “Literary Theory: A Very Short Introduction”. Oxford University Press, 1997. (Refer to relevant chapters on Literary Theory)- P.198.

Fitzgerald, F. Scott. “The Great Gatsby*” Charles Scribner’s Sons, 1925.

Tolkien, J.R.R. “The Lord of the Rings”. Houghton Mifflin, 1954.

Aytmatov, Chingiz. Selected Works. Progress Publishers, 1980.

Qahhor, Abdulla. Selected Works. Sharq nashriyoti, 2005.

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Published

2024-08-19

How to Cite

A COMPREHENSIVE ANALYSIS OF KINESTHETIC AND OCULISTIC REPRESENTATION IN ENGLISH AND UZBEK LITERARY TEXTS. (2024). YANGI O‘ZBEKISTON, YANGI TADQIQOTLAR JURNALI, 1(4), 396-398. https://phoenixpublication.uz/index.php/yoyt/article/view/1565